Wu Guanzhong (1919 – 2010) once said that he had been painting Jiangnan on and off throughout his life. However, he always drew inspiration from his surroundings in everyday life and did not limit himself to Jiangnan. For him, Jiangnan was both the starting point and the spiritual homeland of his art, while the world represented a much broader horizon in his artistic career. The exhibition focuses on Wu Guanzhong’s rigorous journey of sketching, 30 years after he returned to China following his studies in France. He once again stepped beyond the borders of his homeland, leaving footprints in over 20 countries across Asia, Africa, Europe and America. The exhibition features sketches, ink and oil paintings by Wu Guanzhong. This selection includes several precious works being shown for the first time after donation, highlighting the beauty of the world beyond his hometown of Jiangnan and illustrating his artistic journey from figurative to abstract art.
This exhibition is made possible by “Wu Guanzhong Art Sponsorship: Thematic Exhibition Series”.
The exhibition is also one of the activities in the Chinese Culture Promotion Series. The LCSD has long been promoting Chinese history and culture through organizing an array of programmes and activities to enable the public to learn more about the broad and profound Chinese culture.
Ancient Egyptian civilisation originated along the reaches of the Nile River in the northeastern part of the African continent more than 7,000 years ago. From unification around 3000 BCE through the Old Kingdom period (about 2686–2160 BCE), the systems of pharaonic rule and deities were established. The culture and arts, through the development and perfection in the Middle Kingdom period (about 2034–1650 BCE) and then the fusion and transformations of the New Kingdom period (about 1550–1069 BCE), gradually reached their peak. From the 12th century BCE to the Graeco-Roman Period (332 BCE–395 CE), ancient Egyptian civilisation continued to engage in deeper interactions and integration with surrounding civilisations, including those in the Mediterranean.
This exhibition features 250 spectacular treasures from seven major Egyptian museums and the Saqqara archaeological site, including statues, stelae, gold ornaments, mummy coffins, and animal mummies. Organised into four thematic sections, “The Land of Pharaohs”, “The World of Tutankhamun”, “The Secrets of Saqqara”, and “Ancient Egypt and the World”, the exhibition traces the development of ancient Egyptian civilisation spanning nearly 5,000 years and explores the politics, arts, everyday life, and religious beliefs when this ancient civilisation flourished. The exhibition also unveils the latest archaeological discoveries from Saqqara and the vibrant exchanges between Ancient Egypt and other world civilisations.
The exhibition is jointly organised by the Hong Kong Palace Museum and the Supreme Council of Antiquities of Egypt. It is proudly supported by Bank of China (Hong Kong), the Museum’s Strategic Partner.
Cathay and UnionPay International are the Major Sponsors of the exhibition. Lenders include the Egyptian Museum in Cairo, the Hurghada Museum, the Suez National Museum, the Luxor Museum of Ancient Egyptian Art, the Sohag National Museum, the Matrouh Museum, the Kafr El-Sheikh Museum, and the Saqqara archaeological site. It also features objects in the collections of the Hong Kong Palace Museum and the Art Museum, The Chinese University of Hong Kong.
Between the 1560s and the 1660s, the Mughal dynasty (1526–1857) in South Asia experienced its “golden age” as one of the world’s most powerful imperial families at the time. This century witnessed the reigns of three remarkable emperors: Akbar (r. 1556–1605), his son Jahangir (r. 1605–1627), and his grandson Shah Jahan (r. 1628–1658). This exhibition celebrates the extraordinary artistic achievements of the Mughal dynasty, focusing on the roles of the three emperors in shaping and developing the rich and diverse artistic traditions of the court, where cultural elements from South Asia, China, Iran, Europe, and beyond converged.
The Mughals were a Muslim, Persian-speaking dynasty. Their first emperor, Babur (r. 1526–1530), was descended from both Amir Timur (r. 1370–1405), the Central Asian conqueror, and Genghis Khan (r. 1206–1227), the founder of the Mongol dynasties. Babur’s dynasty became known as “Mughal”, the Persian for “Mongol”.
This exhibition is jointly organised by the V&A and the Hong Kong Palace Museum, and is solely sponsored by The Hong Kong Jockey Club Charities Trust.
Date: 2025.08.30- 2026.01.14
Venue: The Speical Gallery, 2/F @HKMOA
Fee: $30 (Standard) /$21 (Group) /$15 (Concessionary)/ Free (Museum Pass)
Jointly presented by the Leisure and Cultural Services Department and the Min Chiu Society Co-organised by the Hong Kong Museum of Art and the Min Chiu Society Sponsored by the Friends of Hong Kong Museum of Art.
In Chinese bronze script, the character jian resembles the imagery of a figure bending over water, gazing at its reflection in a bronze basin. Over time, the word has taken on a metaphorical meaning—to reflect one’s character. An object that serves only a practical purpose, devoid of deeper meaning, remains merely an ordinary vessel. But when a ware is crafted with meticulous care—balancing utility with symbolic significance—it becomes an embodiment of the Dao that transcends verbal expression. The forms and decorations of ancient artefacts not only reflect our ancestors’ reverence for nature and their quest for cosmic harmony but also bear witness to cultural exchange. In their silhouettes, we discern the essence of the universe; in their patterns, the laws of creation. Each vessel is a cipher to antiquity’s intellectual world, and only by retracing this path can we decipher the past to illuminate the present.
The distinguished members of the Min Chiu Society have long upheld the aspiration to “revere antiquity while diligently seeking knowledge”. Their practice transcends mere collecting, embracing instead a tradition of meticulous study and has gained international acclaim. In celebration of the 65th anniversary of the Society, this exhibition features over 400 sets of precious Chinese artefacts from their collections, including Chinese painting and calligraphy, ceramics, bronzes, lacquerware, jades, bamboo carvings, furniture and snuff bottles, for the enjoyment, appreciation and enlightenment for all.
The exhibition is also one of the activities in the Chinese Culture Promotion Series. The LCSD has all along promoted Chinese history and culture through organising an array of programmes and activities to enable the public learn more about broad and profound Chinese culture.
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